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Magnolia (1999)

Limited edition giclee printed on photo rag 308 gsm fine art paper

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'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art
'Magnolia' (1999) - film-art

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Magnolia (1999)

Limited edition giclee printed on photo rag 308 gsm fine art paper

About this print — Every single frame of the movie Magnolia has been analysed and averaged to a single colour. These colours are then arranged chronologically to create a unique fine art composition that captures the entire visual journey of Paul Thomas Anderson's film. Printed using archival pigment inks on 308gsm Hahnemühle photo rag fine art paper, each print is a museum-quality giclée produced to order and created in its original theatrical aspect ratio.

Director: Paul Thomas Anderson

Writers : Paul Thomas Anderson

Stars : Tom Cruise, Jason Robards, Julianne Moore

24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky.