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The Long Kiss Goodnight (1996)

Limited edition giclee printed on photo rag 308 gsm fine art paper

action crime drama mystery thriller


'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art

Regular price £139.00 Sale

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The Long Kiss Goodnight (1996)

Limited edition giclee printed on photo rag 308 gsm fine art paper

About this print — Every single frame of the movie The Long Kiss Goodnight has been analysed and averaged to a single colour. These colours are then arranged chronologically to create a unique fine art composition that captures the entire visual journey of Renny Harlin's film. Printed using archival pigment inks on 308gsm Hahnemühle photo rag fine art paper, each print is a museum-quality giclée produced to order and created in its original theatrical aspect ratio.

Director: Renny Harlin

Writers : Shane Black

Stars : Geena Davis, Samuel L. Jackson, Yvonne Zima, Craig Bierko

Samantha Caine, suburban homemaker, is the ideal mom to her 8 year old daughter Caitlin. She lives in Honesdale, PA, has a job teaching school and makes the best Rice Krispie treats in town. But when she receives a bump on her head, she begins to remember small parts of her previous life as a lethal, top-secret agent. Her old chums in the Chapter are now out to kill her so she enlists the help of a cheap detective named Mitch. As Samantha remembers more and more of her previous life, she becomes deadlier and more resourceful. Both Mitch and Charly proceed to do the killing thing, the bleeding thing and the shooting thing.