'Bringing Out the Dead' (1999)

Limited edition giclee printed on photo rag 308 gsm fine art paper

drama thriller


'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art
'Bringing Out the Dead' (1999) - film-art

£139.00 Sale

Please select a size and framing option

Preview Matinee Feature Blockbuster Premiere
Unframed Black White Oak



Notes on sizing

All measurements given are for the printed image only. To calculate the overall dimensions of a framed print please add 200mm to both the horizontal and vertical measurements.

Example: A print image that is specified as being 825mm x 351m will sit inside a frame that has the approximate outside dimensions of 1025mm x 551mm.

'Bringing Out the Dead' (1999)

Limited edition giclee printed on photo rag 308 gsm fine art paper

Director: Martin Scorsese

Writers : Joe Connelly, Paul Schrader

Stars : Nicolas Cage, Patricia Arquette, John Goodman

An Easter story. Frank is a Manhattan medic, working graveyard in a two-man ambulance team. He's burned out, exhausted, seeing ghosts, especially a young woman he failed to save six months' before, and no longer able to save people: he brings in the dead. We follow him for three nights, each with a different partner: Larry, who thinks about dinner, Marcus, who looks to Jesus, and Tom, who wallops people when work is slow. Frank befriends the daughter of a heart victim he brings in; she's Mary, an ex-junkie, angry at her father but now hoping he'll live. Frank tries to get fired, tries to quit, and keeps coming back, to work and to Mary, in need of his own rebirth.

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