'Unforgiven' (1992)

Limited edition giclee printed on photo rag 308 gsm fine art paper

drama western


'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art
'Unforgiven' (1992) - film-art

Regular price £139.00 Sale

Please select a size and framing option

Preview Matinee Feature Blockbuster Premiere
Unframed Black White Oak



Notes on sizing

All measurements given are for the printed image only. To calculate the overall dimensions of a framed print please add 200mm to both the horizontal and vertical measurements.

Example: A print image that is specified as being 825mm x 351m will sit inside a frame that has the approximate outside dimensions of 1025mm x 551mm.

'Unforgiven' (1992)

Limited edition giclee printed on photo rag 308 gsm fine art paper

Director: Clint Eastwood

Writers : David Webb Peoples

Stars : Clint Eastwood, Gene Hackman, Morgan Freeman

The town of Big Whisky is full of normal people trying to lead quiet lives. Cowboys try to make a living. Sheriff 'Little Bill' tries to build a house and keep a heavy-handed order. The town whores just try to get by.Then a couple of cowboys cut up a whore. Dissatisfied with Bill's justice, the prostitutes put a bounty on the cowboys. The bounty attracts a young gun billing himself as 'The Schofield Kid', and aging killer William Munny. Munny reformed for his young wife, and has been raising crops and two children in peace. But his wife is gone. Farm life is hard. And Munny is no good at it. So he calls his old partner Ned, saddles his ornery nag, and rides off to kill one more time, blurring the lines between heroism and villainy, man and myth.