FINE ART FOR FILM ADDICTS

'Close Encounters of the Third Kind' (1977)

Limited edition giclee printed on photo rag 308 gsm fine art paper

drama sci-fi


'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art
'Close Encounters of the Third Kind' (1977) - film-art

Regular price £139.00 Sale

Please select a size and framing option

Preview Matinee Feature Blockbuster Premiere
Unframed Black White Oak



Notes on sizing

All measurements given are for the printed image only. To calculate the overall dimensions of a framed print please add 200mm to both the horizontal and vertical measurements.

Example: A print image that is specified as being 825mm x 351m will sit inside a frame that has the approximate outside dimensions of 1025mm x 551mm.

'Close Encounters of the Third Kind' (1977)

Limited edition giclee printed on photo rag 308 gsm fine art paper

Director: Steven Spielberg

Writers : Steven Spielberg

Stars : Richard Dreyfuss, François Truffaut, Teri Garr

Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession ...