FINE ART FOR FILM ADDICTS

'The English Patient' (1996)

Limited edition giclee printed on photo rag 308 gsm fine art paper

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'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art
'The English Patient' (1996) - film-art

Regular price £139.00 Sale

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Preview Matinee Feature Blockbuster Premiere
Unframed Black White Oak



Notes on sizing

All measurements given are for the printed image only. To calculate the overall dimensions of a framed print please add 200mm to both the horizontal and vertical measurements.

Example: A print image that is specified as being 825mm x 351m will sit inside a frame that has the approximate outside dimensions of 1025mm x 551mm.

'The English Patient' (1996)

Limited edition giclee printed on photo rag 308 gsm fine art paper

Director: Anthony Minghella

Writers : Michael Ondaatje, Anthony Minghella

Stars : Ralph Fiennes, Juliette Binoche, Willem Dafoe

October 1944 in war torn Italy. Hana, a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio, part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely in tact and that he is running away from his past, in part or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which ...