FINE ART FOR FILM ADDICTS

'The Long Kiss Goodnight' (1996)

Limited edition giclee printed on photo rag 308 gsm fine art paper

action crime drama mystery thriller


'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art
'The Long Kiss Goodnight' (1996) - film-art

Regular price £139.00 Sale

Please select a size and framing option

Preview Matinee Feature Blockbuster Premiere
Unframed Black White Oak



Notes on sizing

All measurements given are for the printed image only. To calculate the overall dimensions of a framed print please add 200mm to both the horizontal and vertical measurements.

Example: A print image that is specified as being 825mm x 351m will sit inside a frame that has the approximate outside dimensions of 1025mm x 551mm.

'The Long Kiss Goodnight' (1996)

Limited edition giclee printed on photo rag 308 gsm fine art paper

Director: Renny Harlin

Writers : Shane Black

Stars : Geena Davis, Samuel L. Jackson, Yvonne Zima, Craig Bierko

Samantha Caine, suburban homemaker, is the ideal mom to her 8 year old daughter Caitlin. She lives in Honesdale, PA, has a job teaching school and makes the best Rice Krispie treats in town. But when she receives a bump on her head, she begins to remember small parts of her previous life as a lethal, top-secret agent. Her old chums in the Chapter are now out to kill her so she enlists the help of a cheap detective named Mitch. As Samantha remembers more and more of her previous life, she becomes deadlier and more resourceful. Both Mitch and Charly proceed to do the killing thing, the bleeding thing and the shooting thing.